Get an in-depth look at how Square Enix transformed a PlayStation classic and find out how to get the very most of out of your latest trip to Midgar.

The pre-rendered backgrounds, such as this scene in Midgar, provided the developers with a choice of camera angle, giving a more cinematic experience. The transition from 2D graphics to 3D environments overlaid on pre-rendered backgrounds was accompanied by a focus on a more realistic presentation.[38] In previous entries, the sizes for characters and environments were fixed, and the player saw things from a scrolling perspective. This changed with Final Fantasy VII; environments shifted with camera angles, and character model sizes shifted depending on both their place in the environment and their distance from the camera, giving a sense of scale.[40][45] The choice of this highly cinematic style of storytelling, contrasting directly with Square's previous games, was attributed to Kitase, who was a fan of films and had an interest in the parallels between film and video game narrative.

With only around a month left until release, this outstanding trailer comes as we eagerly await the game! The story […] Sunil Godhania

A sua memória É possibilitado a falhar e pensar de que pouca coisa mudou neste remaster, contudo bem se engana. Apesar de a versãeste de PSP do Crisis Core

The Remake project began when Final Fantasy producer Shinji Hashimoto broached the subject to Kitase, Nojima, and Nomura. All three were reaching a stage of life that they defined as "that age": all felt that if they waited much longer, they might not be alive to or would be too old to develop a remake, and passing the project on to a new generation did not feel right.

The main creative force behind the overall 3D presentation was Kazuyuki Hashimoto, the general supervisor for these sequences. Being experienced in the new technology the team had brought on board, he accepted the post at Square as the team aligned with his own creative spirit. One of the major events in development was when the real-time graphics were synchronized to computer-generated full motion video (FMV) cutscenes for some story sequences, notably an early sequence where a real-time model of Cloud jumps onto an FMV-rendered moving train.[37] The backgrounds were created by overlaying two 2D graphic layers and changing the motion speed of each to simulate depth perception.

One of the game's major themes is identity, seen through the main protagonist Cloud and the main antagonist Sephiroth. Coping with physical and psychological trauma had Cloud assume the persona of his late mentor, Zack, leading to a deep confusion of the multiple personalities that inharmoniously coexist in his mind.

In the United Kingdom, Edge noted, "The 'interactive movie' has long been a dirty term to anyone who values a playable videogame, but FFVII succeeds in coming closer than any title yet," with the "highly complex, melodramatic story and excellently orchestrated chip music" combining "to make players feel real empathy with the characters," a "task usually shied away from by the action/comedy-orientated western graphic adventures.

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A modern reimagining of one of the most iconic games of all time, Final Fantasy VII Remake harnesses the very latest technology to recreate and expand Square Enix's legendary RPG adventure for the current generation.

Cloud explains to the others that what they had been pursuing was not the true Sephiroth, but can feel he is nearby. Cloud and Tifa go alone, and Cloud hands the Black Materia to a party member remaining behind to prevent himself from being tricked into giving it to Sephiroth again.

Eight were reserved for sound effects, leaving sixteen available for the music.[44] Uematsu's approach to composing the game's music was to treat it like a film soundtrack and compose music that reflected the mood of the scenes, rather than trying to make strong melodies to "define the game", as he felt that approach would come across too strong when placed alongside the game's new 3D final fantasy vii visuals. As an example, he composed the track intended for the scene in the game where Aerith Gainsborough is killed to be "sad but beautiful", rather than more overtly emotional, creating what he felt was a more understated feeling.[37] Uematsu additionally said that the soundtrack had a feel of "realism", which also prevented him from using "exorbitant, crazy music".[70]

While we don't have an exact date for the release of the trilogy's second part, we do know it's due next winter. Between now and then, eager players can delve deep into the story of Zack in Crisis Core: Final Fantasy 7 Reunion.

The trailer reveals many of the familiar faces and iconic locations you’ll visit in the game. Take a look!